Shooting on film during this trip felt natural. There's something about the slower pace of analog photography that matches the rhythm of travel. Each frame was deliberate, each roll finite, which made me more present with what I was seeing. Back home, looking through all these photographs, I noticed how certain images seemed to call out to one another. A Mayan pyramid shaped like a dancer's skirt. A zebra-like pattern that looks like shadows on the palms. A woman standing at the edge of the cenotes, resembling a crane wading in the water. This project became about finding those threads: the visual rhythms that connect disparate moments into something that feels like memory itself. Because that's how we remember travel, not as a linear timeline, but as a collection of shapes that blur together, creating their own logic. Through these pairings, I'm trying to show not just what Mexico looked like, but how it felt to move through it. The way certain moments resonate with each other, building a visual language that captures the spirit of the journey.